Exhibiting music highlights the challenge of presenting the intangible, through tangible and digital objects, with fragmented collections. In this post I explore these topics as experienced in various Museums of Music across the world while arguing that music can help close the gap between culture and heritage. In this post: Bologna. Continue reading Museums of Music: Bologna
Author: trilcenavarrete
Amstel and IJ | Amsterdam and I
After many years of not exhibiting, I decided to share some of the work that I have done in the past 10 years. The theme is Amsterdam, city which has fully seduced me with its magnificent history, still visible in the map and architecture. Continue reading Amstel and IJ | Amsterdam and IMuseums of Music: Berlin

Exhibiting music highlights the challenge of presenting the intangible, through tangible and digital objects, with fragmented collections. In this post I explore these topics as experienced in various Museums of Music across the world while arguing that music can help close the gap between culture and heritage. In this post: Berlin. Continue reading Museums of Music: Berlin
Museums of Music: Budapest
Exhibiting music highlights the challenge of presenting the intangible, through tangible and digital objects, with fragmented collections. In this post I explore these topics as experienced in various Museums of Music across the world while arguing that music can help close the gap between culture and heritage. In this post: Budapest. Continue reading Museums of Music: Budapest
Museums of Music: Shanghai

Exhibiting music highlights the challenge of presenting the intangible, through tangible and digital objects, with fragmented collections. In this post I explore these topics as experienced in various Museums of Music across the world while arguing that music can help close the gap between culture and heritage. In this post: Shanghai. Continue reading Museums of Music: Shanghai
Museums of Music: Barcelona
Exhibiting music highlights the challenge of presenting the intangible, through tangible and digital objects, with fragmented collections. In this post I explore these topics as experienced in various Museums of Music across the world while arguing that music can help close the gap between culture and heritage. In this post: Barcelona.
A History of Digitization: Dutch Museums
The current challenge is to balance production and distribution of heritage content, in addition to finding optimal solutions to position it in the information market. After 50 years of digitization, the goal remains: to ensure unrestricted, sustainable and reliable digital access to Europe’s cultural and scientific knowledge. Continue reading A History of Digitization: Dutch Museums
DEN guest blog
I was invited by DEN to write a blog about my research on digital heritage. I wrote my first guest blog with Karol J. Borowiecki on our working paper on digital heritage and innovation in Europe. The blog can be read here, and the working paper is available here.
Among key results, we find that innovation is driven by digital literacy, both in producers and in consumers, but also by slack, or the resources left after covering all regular costs. That is, the European archives, libraries and museums that have enough resources to do their work and then go on holiday are able to come up with new innovative ways to bring their services to an increasingly digital consumer.

